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# I Went to Resident Evil for My Boyfriend,  and Stumbled Into the Best Popcorn Movie of the Year

I’ll be honest: I am not a die-hard Resident Evil fan. Everything I knew about the universe before stepping into the theater came from two things: background research for an article I wrote on a potential Code: Veronica remake, and non-stop crash courses from my boyfriend, who obviously wasn't going to miss this premiere for anything.

I almost stayed home because I expected an exhausting horror movie where you spend half the time covering your eyes. Turns out, I was completely wrong. Zach Cregger’s Resident Evil isn’t here to traumatize you; it’s just pure, unfiltered fun.

### A Gamified Cinematic Experience

The film captures the thrill of playing a survival horror game without ever making you wish you were holding a controller instead of watching the screen. It translates third-person game mechanics directly into visual storytelling:

* Perspective and Panic-Aiming: The camera hovers right over the shoulder, mimicking classic gameplay angles. In one scene, the protagonist tries to land a headshot on a monster, misses several times in pure panic, and scrambles. Anyone who has ever played a game with low ammo knows that exact feeling.
* Diegetic Easter Eggs: The environment is packed with nods for fans: first-aid spray cans, green herb pots casually stashed in car trunks, typewriter save points acting as safe zones, and an endless array of locked doors requiring keys before you can progress.
* Resource Management and Progression: Ammo supply isn't infinite. It runs out right when the stakes are highest, forcing the main character to constantly look for heavier weapons just to make it to the next room.

### Austin Abrams and the Power of a Focused Story

A huge reason this movie works so well is Austin Abrams. He makes his character so alive, funny, and deeply charismatic that you can't help but root for his survival from start to finish.

Instead of cluttering the plot with a dozen unnecessary subplots or a massive ensemble cast, the film stays tightly focused on him. That decision makes all the difference, it allows the audience to experience the game's atmosphere directly through his eyes. He isn't a stoic super-soldier; he's an unlucky guy trying to survive an absurd nightmare, and his humor grounds the entire movie.

Whenever he freaks out, screams, or loses his mind over a monster, it feels refreshingly honest. Honestly, if a zombie apocalypse actually happened tomorrow, that exact mix of pure panic and high-pitched yelling is precisely how I would react.

Another element that elevates the entire experience is the sound design. The musical score and atmospheric audio build suspense so effectively that every quiet corridor feels thick with tension long before anything jumps out at you.

It hits a rare balance: it’s funny, tense, scary, and easily one of the best entertainment spectacles meant specifically for the big screen.

As critic Zach Pope put it while summing up the hype around this reboot:

"This movie starts off at 30mph and somehow keeps shifting gears until it hits 200. It is fast, gory, utterly insane, and pretty much everything I wanted from a Resident Evil movie."

### My Verdict

If you've been holding off on buying a ticket because you don't know the game lore or usually avoid horror - don't be. It currently holds a 96% on Rotten Tomatoes for a reason. Grab some popcorn, head to the theater, and let Raccoon City pull you out of your daily routine for two hours!

Don't know the lore? Don't worry. Read our review of Zach Cregger’s Resident Evil reboot featuring Austin Abrams, third-person game mechanics, and 96% on Rotten Tomatoes.

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# The Billionaire Savior Complex: Why Elon Musk Wants You to Fear AI (While He Builds It)

Elon Musk is at it again. In a detailed interview with The Economist, the world’s richest man dropped another round of apocalyptic predictions about Artificial Intelligence. His key forecast? Within just five years, advanced AI models will view humans the same way humans currently view chimpanzees - cute, inferior, and entirely dependent on the goodwill of a superior species.

It is a classic Musk performance: equal parts sci-fi thriller, existential doom, and heroic savior complex. But as The Economist cleverly pointed out, two massive paradoxes are sitting right at the center of Musk’s apocalyptic sermon.

### Paradox #1: The Power-Hungry Tycoon Building His Own Demise

Musk warns that AI will render all human beings - including himself - completely powerless in a matter of years. Yet, instead of stepping back, he is enthusiastically throwing billions into xAI, massive GPU clusters, and autonomous Tesla tech. If AI is genuinely going to turn humanity into zoo animals, why is the most power-hungry billionaire on the planet working overtime to accelerate it?

### Paradox #2: A World Without Money (According to a $750 Billion Man)

The second wild claim from the interview is Musk’s vision of a post-scarcity future. He claims AI will create a world of 'infinite abundance' where money will literally lose its meaning - rendering his own estimated $750 billion fortune completely useless. 

It’s a bizarrely utopian thought experiment coming from the ultimate capitalist. But if money truly won't matter in a few years, why is Musk still aggressively negotiating massive Tesla pay packages and fighting for market share in every sector?

### The Business Behind the 'Savior' Persona

So, why does Musk maintain this dramatic savior vibe? Because a catastrophic narrative is the ultimate PR and regulatory strategy. 

By framing AI as an existential threat to humanity, Musk positions himself not just as another tech CEO, but as the self-appointed guardian of our species. It’s a genius double play:

**1. Regulatory Moats:** Pushing for strict AI regulation in the name of 'safety' conveniently slows down competitors like OpenAI, Google, and Anthropic, giving his own xAI time to catch up.

**2. The Hero Discount:** Investors don't just put money into xAI or Tesla for immediate quarterly profits; they invest in Elon the Visionary - the man allegedly saving us from an AI apocalypse and taking us to Mars. 

**3. Hype as a Weapon:** Talking about god-like AI keeps his companies at the absolute center of global conversation, driving valuation and talent to his doorstep.

Musk wants us to believe he is the protagonist in a sci-fi movie, reluctantly building the super-tech just to make sure it doesn't destroy us first. But when you strip away the chimpanzee analogies and the sci-fi doom, the reality is much simpler: catastrophizing AI isn't just a philosophical stance - it’s one of the most profitable marketing strategies in modern tech.

Elon Musk warns AI will treat humans like chimpanzees within five years. Discover the business strategy behind his apocalyptic warnings and xAI's rapid growth.

Elon Musk AI Predictions: The Economist Interview Breakdown

Chimpanzee analogies, a post-money world, and two massive paradoxes: Unpacking The Economist interview and why AI catastrophism is the ultimate tech PR strategy.

The Billionaire Savior Complex: Why Elon Musk Wants You to Fear AI (While He Builds It)

People may say – "it was done already". The developers of DRONE 'EM ALL will say –  "not likely".

DRONE 'EM ALL is the first game by Ukrainian Keep Up Games studio.\
It’s an isometric single-player rogue-like about liberating territories from invaders with the help of drones.

The main features of the game include: satirical approach to depicting of enemies, cartoon action, procedural generation of levels. And also narrative, that uses allusion to the events of the Ukrainian war and highlights stories from life in the occupation and its consequences.

**The release of the mobile version is planned for 2024, and the extended game version for the PC – later.**

You can watch the latest gameplay trailer of the game prototype here: **<https://youtu.be/rrRLH0EatPM>**

**DRONE 'EM ALL** takes place in the free-spirited solarpunk country of Braveland, populated by anthropomorphic cats – Whiskers. The country is attacked bypig-like Zorks from the Zorkian Federation. Influenced by propaganda and envy, Zorks attack their furry neighbors with the goal of their complete annihilation.

![](img/scene.png)

Currently, the team is focused on the gameplay and art parts of the development.

After all, the game needs to work well, the drone should be easy to control, and the world should feel alive.\
\
The goal of the DRONE 'EM ALL team is to keep attention to the topic of the Ukrainian War for freedom using light and understandable form. And transfer part of the profit to the needs of the Armed Forces of Ukraine.\
\
That is why allusion and dark satire are used as tools. To avoid rejection by the players due to "politicization", "hype" or delusions about the "fake” war.

**You can learn more about the game and the team on the [game's website](https://sites.google.com/view/droneem-all/english) and social networks: [twitter (x)](https://twitter.com/drone_em_all), [telegram](https://t.me/drone_em_all).**

Concept art and assets

![It’s time for Zorks to go home. Concept art](img/artaction.png "It’s time for Zorks to go home. Concept art")

It’s time for Zorks to go home. Concept art

![](img/artcontrast.png)

Invaded Braveland. Concept art

![](img/artdark.png)

Zork brings destruction

![](img/assets3.png)

Game assets

Discover DRONE 'EM ALL, the first game by Ukrainian Keep Up Games studio. This isometric single-player rogue-like game features liberating territories with drones, satirical enemies, procedural levels, and a narrative inspired by the events of the Ukrainian war. Stay engaged with the game's light and understandable approach to the topic while supporting the needs of the Armed Forces of Ukraine. Watch the latest gameplay trailer and explore the game's website and social networks for more information.

Isometry, rogue-like, drone and cats. Meet DRONE ‘EM ALL game

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